Al-Qammadi, M. (2023). An analytical study of the aesthetic values in the interior design and furniture of the reception halls in Prince Muhammad Ali Palace in Manial. International Design Journal, 13(5), 101-108. doi: 10.21608/idj.2023.312389
Muhammad Abdul Qader Al-Qammadi. "An analytical study of the aesthetic values in the interior design and furniture of the reception halls in Prince Muhammad Ali Palace in Manial". International Design Journal, 13, 5, 2023, 101-108. doi: 10.21608/idj.2023.312389
Al-Qammadi, M. (2023). 'An analytical study of the aesthetic values in the interior design and furniture of the reception halls in Prince Muhammad Ali Palace in Manial', International Design Journal, 13(5), pp. 101-108. doi: 10.21608/idj.2023.312389
Al-Qammadi, M. An analytical study of the aesthetic values in the interior design and furniture of the reception halls in Prince Muhammad Ali Palace in Manial. International Design Journal, 2023; 13(5): 101-108. doi: 10.21608/idj.2023.312389
An analytical study of the aesthetic values in the interior design and furniture of the reception halls in Prince Muhammad Ali Palace in Manial
Assistant Professor, Department of Architectural Engineering, College of Engineering, Najran University, maalgamadi@nu.edu.sa
Abstract
Aesthetic values in interior design in light of modernity have acquired a different meaning than it had in the past. It has become a system that interacts with the designer himself and the geographical, climatic and social factors that surround him. Modern interior design does not depend only on the subjective view of beauty, but this transformation is accompanied by the link between aesthetic and philosophical values on the one hand and the functional aspects that are in line and commensurate with the needs of the individual on the other hand, taking into account and appropriateness to the spirit of (the era) on the grounds that beauty is number and tone, this study aims to analyze Some of the number and tone of the formative formations, controls and design rules for the interior design and furniture of the reception halls at Prince Muhammad Ali Palace in Manial, and knowing the aesthetic values in the furniture in a way that has great contributions in the embodiment of the data of beauty and interaction with the designs of the interior spaces and their variations in the visual scenes, whether at the level of function or expression. Research problem: Attempting to reach the aesthetic and plastic values of the traditional vocabulary of the Reception Brigades in Prince Muhammad Ali Palace in Manial; To develop cultural awareness and aesthetic sense in interior design. Search goal: This research mainly aims to study the aesthetic and plastic values of the traditional vocabulary of the reception halls at Prince Muhammad Ali Palace in Manial; To develop cultural awareness and aesthetic sense in interior design, in addition to confirming the functional connection with aesthetic and philosophical values and concepts, and defining the foundations and standards on which interior design and furniture are based. research importance: The importance of the research lies in the connection of the research problem with an attempt to reach the aesthetic and plastic values of the heritage vocabulary of the reception companies at Prince Muhammad Ali's palace in Manial; To develop cultural awareness and aesthetic sense, confirm functional connection to aesthetic and philosophical values and concepts in interior design. Research Methodology: Follows the descriptive analytical approach; To find a design vision to employ the aesthetic and plastic values of the heritage vocabulary of the reception halls at Prince Muhammad Ali Palace in Manial. Results: 1. The aesthetic and plastic values of the traditional vocabulary of the reception halls at Prince Muhammad Ali Palace in Manial are achieved by the presence of design elements and their employment with aesthetic and philosophical values and concepts in interior design. 2. The aesthetic and artistic value is enhanced in the ceremonial chamber; And that is through diversifying the use of raw materials and decorating it with wall paintings and Islamic motifs in the pieces of furniture and the top of the door. 3. The room for the reception of the senior worshipers has a spirit of prestige and solemnity, as it was designated to receive the senior worshipers, and that prestige is represented in a repetitive geometric Islamic decorative unit, which is the star plate, and the varying colors in the carpets and pieces of furniture that decorate the hall made of wood in a pentagonal shape that is commensurate with the idea of the ceiling and wall decorations Inlaid with mother of pearl and tooth with geometric motifs of utmost beauty and precision. 4. The Moroccan room achieves the principle of symmetry through the sequence of decorative units, their repetition, and their balance. The principle of symmetry was used to control this geometric balance and achieve unity of view, as well as the aesthetics of the artwork as a whole. 5. In the Levantine Chamber, we find that the elements of aesthetic values have a complementary relationship between them and the foundations of aesthetic values. And that is through the interconnection between the geometrical motifs and the Islamic written motifs that adorn the walls, windows, ceiling, floors, and pieces of furniture, and the use and emphasis on the different colors through the stained glass in the windows, which gives the viewer a sense of the beauty and splendor of the place. 6. The room attached to the Levantine Hall, the mashrabiya room, represents a symmetrical painting in all its aesthetic and functional details, where the usual mashrabiyas are made of wood of exquisite craftsmanship and beauty, and decorated with colored wooden ornaments repeated geometrically from a decorative unit represented in the star plate that gives contrast to the room’s shape and its aesthetic value.
Recommendations 1. The need to study aesthetic and functional values and teach them in the lectures of all departments that carry artistic and applied works. All these aesthetic values have a positive impact on interior design and on the connoisseur. 2. Designers must apply the aesthetic and plastic values of the heritage vocabulary in the field of interior design and furniture in a contemporary style, and create new design lines from the heritage while preserving the aesthetic and functional value of the heritage. Conclusion Through the analytical study of the aesthetic values in the interior design and furniture of the elements of the reception halls in the palace of Prince Muhammad Ali in Manial We conclude that the philosophy followed in the design of the reception room for the palace of Prince Muhammad Ali in Manial relied on linking functional and aesthetic values and taking into account the relations between them to achieve an integrated internal space that worked to attract visitors to the place.
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