• Home
  • Browse
    • Current Issue
    • By Issue
    • By Author
    • By Subject
    • Author Index
    • Keyword Index
  • Journal Info
    • About Journal
    • Aims and Scope
    • Editorial Board
    • Publication Ethics
    • Peer Review Process
  • Guide for Authors
  • Submit Manuscript
  • Contact Us
 
  • Login ▼
    • Login
    • Register
  • العربیة
Home Articles List Article Information
  • Save Records
  • |
  • Printable Version
  • |
  • Recommend
  • |
  • How to cite Export to
    RIS EndNote BibTeX APA MLA Harvard Vancouver
  • |
  • Share Share
    CiteULike Mendeley Facebook Google LinkedIn Twitter
International Design Journal
arrow Articles in Press
arrow Current Issue
Journal Archive
Volume Volume 15 (2025)
Volume Volume 14 (2024)
Volume Volume 13 (2023)
Volume Volume 12 (2022)
Volume Volume 11 (2021)
Volume Volume 10 (2020)
Volume Volume 9 (2019)
Volume Volume 8 (2018)
Issue Issue 4
Issue Issue 3
Issue Issue 2
Issue Issue 1
Volume Volume 7 (2017)
Volume Volume 6 (2016)
Volume Volume 5 (2015)
Volume Volume 4 (2014)
Volume Volume 1 (2012)
Soultan, N. (2018). Modern art color concepts in upholstery textile printing designs inspired by Islamic art. International Design Journal, 8(4), 61-71. doi: 10.21608/idj.2018.84140
Noha Ali Radwan Mohamed Soultan. "Modern art color concepts in upholstery textile printing designs inspired by Islamic art". International Design Journal, 8, 4, 2018, 61-71. doi: 10.21608/idj.2018.84140
Soultan, N. (2018). 'Modern art color concepts in upholstery textile printing designs inspired by Islamic art', International Design Journal, 8(4), pp. 61-71. doi: 10.21608/idj.2018.84140
Soultan, N. Modern art color concepts in upholstery textile printing designs inspired by Islamic art. International Design Journal, 2018; 8(4): 61-71. doi: 10.21608/idj.2018.84140

Modern art color concepts in upholstery textile printing designs inspired by Islamic art

Article 3, Volume 8, Issue 4 - Serial Number 28, October 2018, Page 61-71  XML PDF (1.99 MB)
Document Type: Original Article
DOI: 10.21608/idj.2018.84140
View on SCiNiTO View on SCiNiTO
Author
Noha Ali Radwan Mohamed Soultan
Lecturer , Textile printing, Dyeing and finishing Department , Faculty of Applied Arts, Beni-Suef University
Abstract
This research deals with enriching the Aesthetic values of color in designs of printed furniture fabrics by a new color scheme for Islamic motifs in the light of modern art color application of the color separation which based on scientific theories emerged by the pioneers of impressionists from the beginning of the last century and how did that achieve a radical change in the artists vision of artwork formulation that which could be a rich source to innovate artistic designs for modern furniture. Hence the research question is how to benefit from the modern art color concept of chromatic dispersion in achieving a modern color scheme for Islamic ornaments to enrich the aesthetic values of color in designs of printed furniture fabrics? The study aims to achieve new aspect of color in printed fabric design by a new color scheme for Islamic motifs derived from the technique of color dispersion used in modern art.
Keywords
Impressionism; chromatic dispersion; optical color mixing
References
  1. Arnold Hauser, Art and society through history, Fouad Zakaria translation, Egyptian General Authority for Publishing,1971
  2. Ali Ahmed Al Tayish, Early Islamic decorative arts, Zahraa Al Sharq for printing and publishing, 2000, p61.
  3. Amany Ali Fahmi, Effect of Barbizon School in the impressionism, M.A.mfaculty of fine arts Helwan University, 1997.
  4.  Bernard Denvir, Impressionism the painters and the paintings, studio editions, London,1991,p 137
  5. Eric Wieaardt, " Water color free , easy ", North light books, cincintigohilo , p. 18
  6. Edriss Faraj Allah, Color Formation in Printing, Modern University Office,2008,p84
  7. Eva Wilson, Islamic decorations and drawings, translation Amal Maroud, Dar kabes for printing and publishing, 2004.
  8. Mohamed Abdel Aziz Marzouk, Islamic decorative arts, Egyptian General Authority for Publishing, 1987, p75.
  9. Mohammed Majid Kholousy, Interior design and colors, Helwan Press, 2008, p27.
  10. Mohsen Mohammed Attieh, Trends in Modern Art, Dar Al Ma'arif, Egypt, 1995, p60.
  11. Mohamed Reda Abdel Salam, Color and its uses in modern art, M.A.mfaculty of fine arts Helwan University, 1983.
  12. Mahmoud Bassiouni, Art in the Twentieth Century, Sharjah Intellectual Creation, 1983, p89.
  13. Izz Aldin Ismail, Art and Man, Dar Al Qalam, Beirut, 1974, p143.
  14.  Richard R.Brettell, Impression painting quickly in France, Yale University press, New haven London, 2000.
  15. Zaki Mohamed Hassan, the Islamic arts, Dar Nawabgh al fekr, 1999. p33.
  16.  https://wallpaper.istriku.site/monet-desktop-wallpaper-free/
  17. http://www.slideshare.net/jgingerich/dot-dot-georde-seurat
  18. https;//www.paul-cezanne.org/compotier-glass-and-apples-aka-still-life-with-compotier.html
Statistics
Article View: 255
PDF Download: 460
Home | Glossary | News | Aims and Scope | Sitemap
Top Top

Journal Management System. Designed by NotionWave.