Othman, M. (2024). Applying the concept of zero-energy buildings in the design of cultural centers through interaction with the user. International Design Journal, 14(6), 421-435. doi: 10.21608/idj.2024.314958.1182
Mona Sayed Othman Badr Othman. "Applying the concept of zero-energy buildings in the design of cultural centers through interaction with the user". International Design Journal, 14, 6, 2024, 421-435. doi: 10.21608/idj.2024.314958.1182
Othman, M. (2024). 'Applying the concept of zero-energy buildings in the design of cultural centers through interaction with the user', International Design Journal, 14(6), pp. 421-435. doi: 10.21608/idj.2024.314958.1182
Othman, M. Applying the concept of zero-energy buildings in the design of cultural centers through interaction with the user. International Design Journal, 2024; 14(6): 421-435. doi: 10.21608/idj.2024.314958.1182
Applying the concept of zero-energy buildings in the design of cultural centers through interaction with the user
Faculty of Design and Creative Arts - Al-Ahram Canadian University
Abstract
The General Authority for Cultural centre played a very important role in contemporary Egypt, but the societal impact it plays has diminished to the maximum degree, as the majority of palaces are closed, and without serious activities and activities, to live like any other cultural facility in crises, the most important of which is the economic crisis, and the lack of awareness among young people of the importance of The necessity of culture and its impact on the individual and society, and the lack of understanding of its meaning and purpose. This is a societal culture that requires a massive change in awareness and understanding in a nation that is in dire need of cultural action.
Hence the role of the interior designer in trying to preserve the cultural heritage and protect it from incoming influences, by contributing to solving the problems of these palaces so that they regain their effective role in society, through designing self-sufficient cultural houses or zero or neutral buildings. The designer also tried to help in Achieving the missing enjoyment among young people and encouraging them to develop their mental abilities and psychological needs through interaction with the various interior design elements of the role of culture to generate energy, which is what young people lack at that stage, to give them a sense of meaning and purpose.
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