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Ewis, K., Rashad, M. (2024). The Evolution of One-Shot Films in the Era of Virtual Production. International Design Journal, 14(4), 409-419. doi: 10.21608/idj.2024.358295
Khaled Ali Ewis; Menna Allah Ayman Mohamed Rashad. "The Evolution of One-Shot Films in the Era of Virtual Production". International Design Journal, 14, 4, 2024, 409-419. doi: 10.21608/idj.2024.358295
Ewis, K., Rashad, M. (2024). 'The Evolution of One-Shot Films in the Era of Virtual Production', International Design Journal, 14(4), pp. 409-419. doi: 10.21608/idj.2024.358295
Ewis, K., Rashad, M. The Evolution of One-Shot Films in the Era of Virtual Production. International Design Journal, 2024; 14(4): 409-419. doi: 10.21608/idj.2024.358295

The Evolution of One-Shot Films in the Era of Virtual Production

Article 32, Volume 14, Issue 4 - Serial Number 62, July and August 2024, Page 409-419  XML PDF (1.26 MB)
Document Type: Original Article
DOI: 10.21608/idj.2024.358295
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Authors
Khaled Ali Ewis1; Menna Allah Ayman Mohamed Rashad2
1Professor of Cinema- Department of Photography, Cinema, and Television- Faculty of Applied Arts- Helwan University- Former Dean of the Higher Institute of Applied Arts- New Cairo, khaledewis2@a-arts.helwan.edu.eg
2Teaching Assistant- Department of Photography, Cinema, and Television- Faculty of Applied Arts- Helwan University,
Abstract
Over the past decade, cinema technology has seen significant developments, leading to the emergence of virtual production as an emerging and effective technology. This technology enables the integration of special effects directly during filming, instead of adding them in post-production as was previously done. Virtual production, thanks to its advanced technologies such as LED walls and live motion capture, offers filmmakers the opportunity to achieve complex and integrated visual experiences with higher efficiency and lower cost.
Research problem: How can virtual production technology be employed in the production of one-shot films in a way that enhances their artistic and technical quality and improves production efficiency?
The significance of the research lies in highlighting how new technologies in virtual production can enhance the quality of one-shot films, opening new horizons for the film industry. These technologies not only contribute to improving the visual quality of films but also offer greater flexibility in filming and reduce the costs associated with different production stages. By understanding the developments in virtual production, filmmakers can use these technologies to produce cinematic works that are creative and innovative without sacrificing visual quality or incurring excessive expenses. This research aims to explore how virtual production can contribute to the development and production of one-shot films.
The research objectives include using virtual production technologies to improve the technical and artistic aspects of these films, studying the components of the virtual studio and the methods used, and arriving at a set of fundamental considerations for effectively integrating this technology. The goal is to provide a comprehensive understanding of the capabilities that virtual production offers, which can improve the film production process and open new horizons for cinematic creativity.
‌‌Methoology: descriptive analytical approach by gathering facts and information and analyzing global one-shot films (the study sample) to solve the research problem and achieve its objectives.
The results summarize how virtual production can significantly enhance the visual quality of one -shot films, benefiting from advanced technologies such as LED walls and motion capture. Virtual production reduces the need for complex and expensive filming locations, increasing production efficiency and reducing costs. This type of production also opens new horizons for creativity.
Keywords
Virtual Production; One; Shot Films; Special Effects; LED Walls; Editing; Volumetric Screen
Supplementary Files
download 409-419-Menna-abs.pdf
References
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2-     Kadner, N. (2023, December). With virtual production on the rise, cinematographers take real-time control in VFX environments. The American Society of Cinematographers

3-     Lodderhose, D. (2023, May 21). Technologies Like AI & Unreal Engine Are A Having Big

4-     Bennett, J., et al. (2023). StoryFutures VP Skills Report 2023. [PDF] Retrieved from

5-     Shirley, L., & Rajagopal, D. (2023, February 1). A life cycle analysis of virtual vs. physical production for film and television. Institute of the Environment and Sustainability, UCLA.

6-     Bodini, A., Manohar, A., Colecchia, F. et al. Envisioning the future of virtual production in filmmaking: A remote co-design study. Multimed Tools Appl (2023).

7-     Haofeng Li, et al. (2022). The Development of Virtual Production in the Film Industry in the Past Decade.

8-     Lejeue, C. (2022). Virtual Production: A Study on its Environmental Impact. University of South California.

9-     Ikmaranta, K. (2020). Cinematic Space in Virtual Production. In Augmented Reality, Virtual Reality, and Computer Graphics - 7th International Conference. Springer.

10-   ILM. (2020). The Virtual Production of The Mandalorian Season One. Retrieved from YouTube - Industrial Light and Magic: https://www.youtube.com/watch?v=gUnxzVO s3rk

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12-   Kadner, N. (2019). The Virtual Production Field Guide Volume1. North California: Epic Games

13-   Bennett, G., & Kruse, J. (2015). Teaching visual storytelling for virtual production pipelines incorporating motion capture and visual effects. SIGGRAPH Asia 2015 Symposium on Education, Kobe, Japan. DOI: https://doi. org/10.1145/2818498.2818516

Bergère, B. (2013, November). Facing the Void. American Cinematographer, pp. 37-49.

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