Mansour, O., Al-Sahhari, A. (2024). xxxxxx creativity in fashion shows for innovative fashion Designs Inspired by Traditional Costumes in Saudi Arabia. International Design Journal, 14(1), 610-630. doi: 10.21608/idj.2024.349714
Olfat Shawki Mohamed Mansour; Aisha Hamad Ali Al-Sahhari. "xxxxxx creativity in fashion shows for innovative fashion Designs Inspired by Traditional Costumes in Saudi Arabia". International Design Journal, 14, 1, 2024, 610-630. doi: 10.21608/idj.2024.349714
Mansour, O., Al-Sahhari, A. (2024). 'xxxxxx creativity in fashion shows for innovative fashion Designs Inspired by Traditional Costumes in Saudi Arabia', International Design Journal, 14(1), pp. 610-630. doi: 10.21608/idj.2024.349714
Mansour, O., Al-Sahhari, A. xxxxxx creativity in fashion shows for innovative fashion Designs Inspired by Traditional Costumes in Saudi Arabia. International Design Journal, 2024; 14(1): 610-630. doi: 10.21608/idj.2024.349714
xxxxxx creativity in fashion shows for innovative fashion Designs Inspired by Traditional Costumes in Saudi Arabia
1Professor, Department of Fashion Design, College of Designs, Qassim University, Kingdom of Saudi Arabia
2Professor, Apparel Department, Faculty of Applied Arts, Helwan University, Egypt
3PhD candidate, Department of Fashion Design, College of Designs, Qassim University, Kingdom of Saudi Arabia,
Abstract
to contribute achieving one of the objectives of Saudi Arabia's Vision 2030 in employing technology to promote Saudi heritage through implementing innovative designs using a three-dimensional design program (7.3- (CLO Standalone, 7.1), as well as benefiting researchers in the field of traditional embroidered clothing in the Kingdom of Saudi Arabia. The innovative designs that achieved the highest acceptance rates from the research samples were implemented. The study applied the analytical descriptive and experimental methodologies. The sample size for this study consisted of a total of 134 individuals, representing both specialists and consumers. Among the participants, there were 27 specialists who held positions such as professors, assistant professors, and associate professors specializing in the fields of fashion and embroidery history, as well as fashion design and production. The remaining 107 participants were consumers, ranging in age from 25 to 40 years old. The objective was to gather opinions on the proposed designs. To achieve this, two different questionnaires were utilized. The first questionnaire was specifically designed for specialists in the fields of fashion and embroidery history, as well as fashion design and production. It aimed to measure the level of agreement among the specialists regarding the proposed designs inspired by traditional clothing in the identified regions. The questionnaire focused on three aspects: decorative, aesthetic, and functional elements. The second questionnaire was directed towards consumers and aimed to measure their level of agreement with the proposed designs inspired by traditional clothing in the identified regions.
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