abdelaziz, H. (2024). Employing Singing Taqatiq in Establishing the Identity of the printing designs of harmonious fabrics and their Relationship to the Visual Perception of the Hearing Impaired.. International Design Journal, 14(2), 257-272. doi: 10.21608/idj.2024.339575
Heba atef abdelaziz. "Employing Singing Taqatiq in Establishing the Identity of the printing designs of harmonious fabrics and their Relationship to the Visual Perception of the Hearing Impaired.". International Design Journal, 14, 2, 2024, 257-272. doi: 10.21608/idj.2024.339575
abdelaziz, H. (2024). 'Employing Singing Taqatiq in Establishing the Identity of the printing designs of harmonious fabrics and their Relationship to the Visual Perception of the Hearing Impaired.', International Design Journal, 14(2), pp. 257-272. doi: 10.21608/idj.2024.339575
abdelaziz, H. Employing Singing Taqatiq in Establishing the Identity of the printing designs of harmonious fabrics and their Relationship to the Visual Perception of the Hearing Impaired.. International Design Journal, 2024; 14(2): 257-272. doi: 10.21608/idj.2024.339575
Employing Singing Taqatiq in Establishing the Identity of the printing designs of harmonious fabrics and their Relationship to the Visual Perception of the Hearing Impaired.
department of printing textiles faculty of applied arts banha university
Abstract
The visual arts in general, and design of the printing designs of harmonious fabricsin particular, are considered an expression and an important source for dissecting the intellectual and cultural vision of society and a factor in preserving our Arab identity, in addition to learning about the culture of society, which includes aspects of spirit and matter, and is characterized by intellectual and aesthetic values of authenticity and historical heritage. If we listen to our Egyptian singing heritage, especially the singing taqatiq of the popular artist (Sayed Darwish), we find that it is full of all aspects of artistic lyrical creativity related to our customs, traditions, and celebrations. Therefore, we must pay attention to it in order to preserve it, because of the intellectual and aesthetic values it carries and national characteristics with an authentic Egyptian identity, in confirmation of the links. Social, spiritual, intellectual, aesthetic and moral values, especially for hearing-impaired youth, which leads to improving our societies and preserving our identity and culture while confronting the different cultures coming to us. Hence came the research problem, which lies in how to use the lyrical taqatiqs of Sayyed Darwish as a source of inspiration to establish the identity of the design of printed textile pendant fabrics based on aesthetic values based on organic forms and sensual improvisation? In addition to how to employ the printing designs of harmonious fabricsand their relationship to visual perception in enhancing emotional intelligence among the hearing-impaired group? . The objectives of the research are determined to study the lyrical taqatiq of Sayyed Darwish and the sensual and expressive values it contains with a creative approach that opens new horizons and visions for experimental thought in the field of designing fabrics for printed textile pendants, as well as identifying the level of use of printed textile pendants in enhancing emotional intelligence among the hearing-impaired group. The importance of the research includes establishing the concept of the Egyptian lyrical identity of Sayed Darwish’s Taqatiq as a contemporary trend in experimental thought in the field of textile printing design in an effort to reach new alternatives and solutions in the field of designing and the printing designs of harmonious fabricsfor the hearing-impaired category. It also helps in revealing the extent to which the design of inspired the printing designs of harmonious fabricsis employed. Of singing taqatiq and its effect on the emotional intelligence of the hearing-impaired group. Research methodology The research follows the analytical descriptive approach and the experimental approach, and the results are summarized in 1. There is a positive, complementary, and reciprocal relationship between the use of Sayyed Darwish’s singing taqatiq in the printing designs of harmonious fabrics and the dimensions of emotional intelligence among a group of hearing-impaired youth. 2. The development of the capabilities of modern technology used in the field of plastic arts has led to the achievement of new artistic and creative formulas in the field of visual perception for the recipient in general and for the hearing-impaired youth group in particular. The creative ability of textile printing designers has emerged using these modern technologies in a way that is consistent with our culture and identity for printing designs for harmonious fabrics. And virtual employment in their rehabilitation centers. The visual and audio arts are integrated into a single chain connected to each other. The typographic designs of the harmonious fabrics and the lyrical tatakiq by Sayyed Darwish are similar with regard to the elements and principles of harmony, harmony, and harmony, achieving a balance between reason and imagination..Paying attention to our Egyptian musical heritage by providing the opportunity to revive the works of Sayed Darwish, as one of the greatest pioneers of modern Arabic melodies in the twentieth century, because of its strengthening of enthusiasm and resolve, spreading the spirit of hope, rooting love for the homeland, and raising and developing the national spirit in various generations, especially the group of hearing-impaired youth.
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