Elsaid, D. (2023). The use of paper clay as a sustainable raw material in the implementation of sculptural models (applied experience). International Design Journal, 13(5), 293-303. doi: 10.21608/idj.2023.217406.1079
Doaa Gamal Elsaid. "The use of paper clay as a sustainable raw material in the implementation of sculptural models (applied experience)". International Design Journal, 13, 5, 2023, 293-303. doi: 10.21608/idj.2023.217406.1079
Elsaid, D. (2023). 'The use of paper clay as a sustainable raw material in the implementation of sculptural models (applied experience)', International Design Journal, 13(5), pp. 293-303. doi: 10.21608/idj.2023.217406.1079
Elsaid, D. The use of paper clay as a sustainable raw material in the implementation of sculptural models (applied experience). International Design Journal, 2023; 13(5): 293-303. doi: 10.21608/idj.2023.217406.1079
The use of paper clay as a sustainable raw material in the implementation of sculptural models (applied experience)
faculty of applied art -Damietta university - damietta -Egypt
Abstract
art is an expression that has been introduced recently as an artistic term for artists to work with their surroundings ,A view of the oceanic region, view, atmosphere, and part of the oceanic ecoregion. The art is sustainable Thoughts, feelings and experiences where we are transported to a future where artistic creation will address social and environmental challenges. And play a role in self-development. Presenting developmental messages and vital interactions that affect social needs and social affairs. Sculpture has always been active and can be suppressed, and a global and permanent vision of the world around us. The relationship arose a deep relationship that appeared since the dawn of civilization. Sculptors continued to use their works related to human relations from the environment around them. Throughout history, as the contemporary sculptor added to the traditional materials of sculpture in other types that vary in their types and plastic capabilities, and examples of them are paper Hence, the research problem is limited to the following inquiry: 1. How can the study of sustainability enrich the aesthetic and formal dimensions of sculptural work? 2. Is it possible to convert waste paper into work besides aesthetics? 3. Are the design designs different for the use of new materials, and has this affected the final aesthetic form of the work?
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