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International Design Journal
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Volume Volume 15 (2025)
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zhran, S. (2025). Decorative designs based on elements of the visual heritage of Assiut Governorate. International Design Journal, 15(3), 555-566. doi: 10.21608/idj.2025.367845.1285
Salwa Maher Ahmed zhran. "Decorative designs based on elements of the visual heritage of Assiut Governorate". International Design Journal, 15, 3, 2025, 555-566. doi: 10.21608/idj.2025.367845.1285
zhran, S. (2025). 'Decorative designs based on elements of the visual heritage of Assiut Governorate', International Design Journal, 15(3), pp. 555-566. doi: 10.21608/idj.2025.367845.1285
zhran, S. Decorative designs based on elements of the visual heritage of Assiut Governorate. International Design Journal, 2025; 15(3): 555-566. doi: 10.21608/idj.2025.367845.1285

Decorative designs based on elements of the visual heritage of Assiut Governorate

Article 41, Volume 15, Issue 3, May and June 2025, Page 555-566  XML PDF (1.68 MB)
Document Type: Original Article
DOI: 10.21608/idj.2025.367845.1285
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Author
Salwa Maher Ahmed zhran email
Faculty of Specific Education, Assiut University
Abstract
Decorative design is a type of flat design that aims to treat elements in a decorative manner that emphasizes their decorative and aesthetic value through their structural systems. The designer derives the elements he uses in his decorative designs from multiple sources, from which he draws inspiration and new ideas that suit his creative work.
Among these sources is heritage. Heritage refers to the sum of the results of previous civilizations that are inherited from ancestors to descendants. It is the result of human experiences, desires, and conversations, whether in the fields of science, thought, language, or literature. Not only that, but it extends to include all material and emotional aspects of society, from philosophy, religion, art, architecture, folklore, and economic heritage as well.
Art is a creative product that stems from human culture and is influenced by the surrounding environment, including social, political, geographical and historical circumstances. It is a vital necessity for humans to express their thoughts, emotions and beliefs. This expression is embodied through images, sculptures, architecture or various applied arts. This is what the artist has expressed in his artwork, which embodies a heritage that has continued and been immortalized across different eras. It is the best example for us of the creative advancement that the artist has achieved across these eras.
Keywords
designs; elements; heritage
Supplementary Files
download 555-566-Salwa-abs.pdf
References

1-   Amin Al-Quraiti (1984): The Concept of Authenticity between Abstraction and Imitation in the Content of Fine Art Creativity, published research, Studies and Research Journal, Helwan University, Volume 7, March Issue.

2-   Thuraya Hamed Youssef (2000 AD): The complementary relationship between organic and geometric forms in abstract painting, Master’s thesis, Faculty of Art Education, Helwan University.

3-   Faten Saad El-Din El-Fadaly (1991 AD): Combining materials on the surface of the image in the field of contemporary photography, Master’s thesis, Faculty of Art Education, Helwan University.

4-   Fath Al-Bab Abdel Halim, Ahmed Hafez Rushdan (1984 AD): Design in Fine Arts, Alam Al-Kitab.

5-   Muhammad Ali Al-Tahatouni (1961 AD): Al-Kashaf Encyclopedia, Terms of Arts and Sciences, Lebanon Library, Beirut.

Hoda Zaki Al-Sayed (1997 AD): The experimental approach in modern photography and what it includes in terms of innovative and educational methods, PhD thesis, Faculty of Art Education, Helwan University

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