Arisha, N. (2022). Musical Identity: Reflecting The Egyptian History through Architecture and Interior Design of South Temples. International Design Journal, 12(1), 179-190. doi: 10.21608/idj.2022.210331
Nada Ahmed Arisha. "Musical Identity: Reflecting The Egyptian History through Architecture and Interior Design of South Temples". International Design Journal, 12, 1, 2022, 179-190. doi: 10.21608/idj.2022.210331
Arisha, N. (2022). 'Musical Identity: Reflecting The Egyptian History through Architecture and Interior Design of South Temples', International Design Journal, 12(1), pp. 179-190. doi: 10.21608/idj.2022.210331
Arisha, N. Musical Identity: Reflecting The Egyptian History through Architecture and Interior Design of South Temples. International Design Journal, 2022; 12(1): 179-190. doi: 10.21608/idj.2022.210331
Musical Identity: Reflecting The Egyptian History through Architecture and Interior Design of South Temples
Lecturer in Interior Design Department, October University of Modern Sciences and Arts – MSA University, Cairo, Egypt, narisha@msa.edu.eg
Abstract
City Identity is remembered by the way of people preserved their own Culture. Egypt History is reflected by various cultural identities including Place Identity, Musical Identity and more identities preserved through time. Musical Identity revealed through Ancient Egyptians in Musical Instruments and in the way they elaborated it through Architecture and Interior Design of Tombs and Temples. The Research introduces a scenario by the South of the River Nile in Egypt in Tall El Amarna in Minia, Dendara Temple in Qena and The Valley of the Nobles in Thebes/Luxor which conserved a Musical Identity. This was revealed through the symbols etched on the walls, through the Musical Notations known from their studies and also through the paintings decorated the Interior design of the Temples. The research aims to Identify the connection between Music, Architecture and Interior Design in reflecting the Egyptian Identity as a correlation between different Arts, also signifying the interdisciplinary studies in studying the Egyptian History with another perspective, Thus preserving the Egyptian Musical Identity through revealing its hidden treasures and as a dialogue between different Ancient Egyptian Arts. Research Issue: Deficiency in the references expressing the Musical Identity of Architecture and Interior Design. Research Significance: Explaining the relation between Music and Interior Design in Ancient Egypt. Signifying the role of Musical Identity in expressing the cultural context of the Ancient Egyptian Civilization.
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A wall painting in Interior Design in Rekhmire Tomb in Luxor (2021, September 21). Retrieved from https://news.cnrs.fr/articles/the-music-of-antiquity
Tall al-ʿAmarīnah - the city of Akhenaton in Qena (2021, September 27). Retrieved from https://egyptiangeographic.com/ar/news/show/233
Female Musicians ca. 1353–1336 B.C. New Kingdom, Amarna Period. (2021, October 3). Retrieved from (metmuseum.org)
The Longitudinal section and The Plan of The Tomb of Meryra. (2021, October 5). Retrieved from www.osirisnet.net/tombes/amarna/meryra/e_meryra_01.htm
Relief depicting blind singers and a harpist – Tomb of Meryre, New Kingdom Tell el Amarna, Egypt. (2021, October 4). Retrieved from https://www.meisterdrucke.uk/fine-art-prints/Egyptian-18th-Dynasty/584102/Relief-depicting-blind-singers-and-a-harpist,-from-the-Tomb-of-Meryre,-New-Kingdom-.html
Details from scenes inside Meryra Tomb. It shows Women making ovations and beating round and “rectangular” tambourines. Tomb of Meryra, el-Amarna. (2021, September 28). Retrieved from https://escholarship.org/content/qt6x587846/qt6x587846_noSplash_7ab80dc35fc9d33e30e447d2ce1c488f.pdf
(2021, September 30). Retrieved from https://sites.google.com/site/cityamon/tombs-of-the-nobles
Details of the festive scenes in Luxor including the orchestra f the three girls playing The Harp, The Lute and the Flute, also the Blind man sitting and playing the Harp. (2021, October 2). Retrieved from https://www.osirisnet.net/tombes/nobles/nakht52/e_nakht_05.htm
Akhenaten, Nefertiti and their daughters under the rays of the sun god Aten in the tomb of the official Aye at Tall El-Amarna in Minia/Egypt. (2021, October 4). Retrieved from https://www.arce.org/resource/akhenaten-nefertiti-aten-many-gods-one
Dendara Temple in Qena/ Luxor . (2021, October 18). Retrieved from (antiquities.gov.eg)
The entrance of Dendara Temple in Qena (2021, October 18). Retrieved from http://www.ancient-egypt.co.uk/dendera/index.htm
Four hathor faces carrying the Sistrums (a musical instrument in acient Egypt). (2021, October 18). Retrieved from Egypt: Temple of Dendera - paulsmit (smugmug.com)
Part of an inscription in the Temple of Hathor in Dendera/Qena. (2021, October 19). Retrieved from https://egyptraveluxe.blogspot.com/2014/12/nefertari-seven-hathors.html