1. Abdel Hamid, Shaker. 2001. The Aesthetic Preference. Kuwait: National Council for Culture, Arts and Letters.
2. Abu Rayan, Mohamed. 2002. The Beauty Philosophy and Fine Arts Creation. Alexandria: Dar Elmaarefa Elgameaia-Press.
3. Ahmed, Mahmoud. 2008. Dilthey and Life Philosophy. Cairo: Dar Altanweer Publishing.
4. Attia, Mohsen. 2004. Methodologies of Modern Art. Cairo: Books house.
5. Brown, Edwina. 2014. Management of the elderly with advanced CKD. London: Imperial college renal and transplant centre.
6. Collins, Judith, John Welshman, David Chandler, and David Anfam. 1987. Techniques of Modern Artists. New Burlington Books.
7. Drutt, Matthew. 2003. Kazimir Malevich (Suprematism). New York: The Solomon R.Guggenheim foundation.
8. El-Habashy, Saber. 2011. In Reading and Interpretation Art. Jordan: Modern Books World.
9. Gadamer, Hans. Weinsheimer, Joel, and Marshall, Donald. 2004. Truth and method. London: Bloomsbury Academic.
10. Gafaar, Safaa. 2000. Study in Contemporary Ontology. Alexandria: Dar Al Maaref.
11. Iezzi, Adriana. 2013. "Contemporary Chinese Calligraphy between Tradition and Innovation." Journal of Lterature and Art Studies, 3: 158-179.
12. Mogheith, Anwar. 2005." Gadamer Art and Game." Philosophy and time, 3, 183-187.
13. Palmer, Richard. 1969. Hermeneutics. Evanston: Northwestern University Press.
14. Plaza, Beatriz, Silke Haarich, and Courtney Waldron, 2013. "Picasso’s Guernica: The Strength of an Art Brand in Destination E-Branding." International Journal of arts management, 15: 53-64.
15. Saied, Mohamed. 1980. "Picasso in Modern Art." Journal of education in Jordan, 49: 50-53.
16. Singer, Brian, Trond Aslaksby, Biljana Casadiego, and Eva Tveit. 2010. "Investigation of Materials Used by Edvard Munch". Studies in conservation, 55: 1-19.
17. Tawfiq, Saied. 2002. In Language and Interpretation Philosophy. Beirut: Al-Magd Publishing.
18. Yehia, Adnan. 1996. "Mona Lisa: The Distortion of Da Vinci Empire." The cultural magazine in Jordan, 38: 155-160.