الصورة المعاصرة وقیمها الفنیة "التشخیصیة" فی عصر تکنولوجیا الصورة الرقمیة

نوع المستند : Original Article

المؤلف

أستاذ الرسم والتصویر المساعد ، کلیة التصامیم والفنون ، جامعة الأمیرة نورة بنت عبد الرحمن، المملکة العربیة السعودیة ، الریاض.

المستخلص

یسلط هﺫا البحث الضوء على الواقعیة الإجتماعیة، أحد قیم فن الرسم المعاصر والفنون الرقمیة الحدیثة، وﺫلک وفقا لتکنولوجیا الصورة الرقمیة العصریة التی تدعم أنواعا مختلفة من الفنون المرئیة، بما فی ذلک "الفن التشخیصی" و"الفنون الرقمیة التجریدیة".  وینفی کلمنها الآخر ویعکسه. وبالرغم من أن کلاهما "فن"، فإنهما یختلفان کثیرا عن الأنواع الأخرى من الفنون. والسبب الرئیسی لهذا، هو عدم وجود حد فاصل وواضح بین الفن وتقنیات الصورة الرقمیة. هذا البحث هو عبارة عنمحاولة لإستعراض منهج مختلف للکشف عن الفروقات العمیقة بین "التشخیصیة" فی الرسوم المعاصرة وبعض جوانب الفنون الرقمیة وفقا لتکنولوجیات الصورة الرقمیة الحدیثة. وهو کـﺫلک تمعن فی هذه الظواهر الفنیة عن طریق ترسیخ الفن فی القیم التجریدیة لتکنولوجیات الصورة الرقمیة.
 ویفترض أن  الفن، بجمیع فروعه، یمثل تجسیدا خاصا لبعض الخصائص والقیم الأساسیة  للـ"تشخیصیة" فی فن الرسم المعاصر والقیم التجریدیة فی التصویر الضوئی. وأهم ما فی "الفن التشخیصی" هو أن اللوحة المعاصرة وفق تکنولوجیا "الاتصال/ الانفصال" فی الصورة الرقمیة المتطورة  تلقی بـ"الواقعیة الإجتماعیة" عرض الحائط. کما یمکن استنتاج أن جمیع الأعمال الفنیة "التشخیصیة" تشترک فی هﺫه الصفات الذهنیة، التی لا یمکن للأعمال الفنیة "غیر التشخیصیة" تقاسمها.   

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