1- Amin Al-Quraiti (1984): The Concept of Authenticity between Abstraction and Imitation in the Content of Fine Art Creativity, published research, Studies and Research Journal, Helwan University, Volume 7, March Issue.
2- Thuraya Hamed Youssef (2000 AD): The complementary relationship between organic and geometric forms in abstract painting, Master’s thesis, Faculty of Art Education, Helwan University.
3- Faten Saad El-Din El-Fadaly (1991 AD): Combining materials on the surface of the image in the field of contemporary photography, Master’s thesis, Faculty of Art Education, Helwan University.
4- Fath Al-Bab Abdel Halim, Ahmed Hafez Rushdan (1984 AD): Design in Fine Arts, Alam Al-Kitab.
5- Muhammad Ali Al-Tahatouni (1961 AD): Al-Kashaf Encyclopedia, Terms of Arts and Sciences, Lebanon Library, Beirut.
Hoda Zaki Al-Sayed (1997 AD): The experimental approach in modern photography and what it includes in terms of innovative and educational methods, PhD thesis, Faculty of Art Education, Helwan University
)
View on SCiNiTO