1- Alfred, L. (1991). Materials and Industries of the Ancient Egyptians - Madbouly Library – AD.
2- Mohamed, G. A. G. (1999). Hanging Textiles Biography and Development - The Sixth International Conference on Applied Arts - Applied Arts and Challenges of the Twenty-First Century - Faculty of Applied Arts - Helwan University - March 1999 AD.
3- Mounir, F. S. & Lobna, A. A. R. (2011). - Design Foundations - Doroob for Publishing and Distribution - Amman - Jordan -2011 AD.
4- Yasmine, A. M. F.(2016). - Creating Textile Hangings Using Arabic Calligraphic Decoration Using the Hand-Knitting Technique - Master's Thesis - Faculty of Applied Arts - Damietta University - 2016 AD.
5- Sayed, M. K. (1982). - Contemporary Egyptian wall hangings and the innovation of a new method for their implementation - PhD thesis - Faculty of Applied Arts - Helwan University - 1982 AD.
6-Haitham, A. D. (2014). Innovating innovative methods for designing fabrics using the mechanisms of textile structures - PhD thesis - Faculty of Applied Arts - Helwan University -2014 AD.
7- Ahmed, M. Z. El-D. El-S.(2003)- Artistic treatments of selected Islamic arts and the use of them in producing contemporary textile hangings - PhD thesis - Faculty of Applied Arts - Helwan University - 2003 AD.
8- Stauffer A. M., (1995).Textiles of Late Antiquity, Metropolitan Museum of Art, New York.
9- Portisch A. O. ( 2009). Techniques as a window onto learning: Kazakh women’s domestic textile production in Western Mongolia," Journal of Material Culture, vol. 14, no. 4, pp. 471-493.
10- Maruyama, N. U., Yen, T.-H., Stronza, A. (2008). Perception of Authenticity of Tourist Art among Native American Artists in Santa Fe, New Mexico. International Journal of Tourism Research, vol. 10, no. 5, pp. 453-466, p. 461.
11- Micheli, P. & Gemser G., (2016).Signaling Strategies for Innovative Design: A study on Design Tradition and Expert Attention. The Journal of Product Innovation Management, vol. 33, no. 5, , pp. 613-627, p. 617.
12- Amer, M. M., (2007). Cotemporary view for upholstery and curtain jacquard fabrics with woven hanging design. Textile Journal. pp80-89.
13- Barber, E. J. W., (1982). New Kingdom Egyptian Textiles: Embroidery vs. Weaving’, American Journal of Archaeology., vol. 86, no. 3, p. 443.
14- Riefstahl, E., (1944). Patterned Textiles in Pharaonic Egypt, Brooklyn Institute of Arts and sciences, New York, p.1.
15-
Marwa, O. &
Azza, Al B., (2019).Utilizing the Aesthetic Values of the Heritage Symbols in Siwa in Printed Hangings Design for Tourism Development Textile.
Journal of Architecture, Arts and Humanities.Volume 4, Issue 14, P. 431-457. DOI: 01801.01 /mjaf.2019.25794.
16-Gamal, M. A. H. R., Adel, A. M. A. Kh, Ahmed, M. S. A. (2022). Innovative designs for Gobelin fabrics inspired by contemporary Egyptian art”, Heritage and Design Magazine - Volume 2 - Issue 7.
17- Mohamed, G. A. Gh.. (1999). Hanging Textiles Biography and Development - The Sixth International Conference on Applied Arts - Applied Arts and Challenges of the Twenty-First Century - Faculty of Applied Arts - Helwan University - March 1999 AD.
18-Yasmine, A. El F. (2016). Creating Textile Hangings Using Arabic Calligraphic Decoration in the Hand-Knitting Style - Master's Thesis - Faculty of Applied Arts - Damietta University.
19- Aida, R. A. H., (2008). Study of the techniques of producing textile pendants and determining the best restoration methods - Master's thesis - Faculty of Applied Arts - Helwan University - 2008 AD.
20-Gamal, M. A. H. R., Amira, M. R., Heba, Kh. A. T. (2020). Design and Production Innovative Textile Wall Hangings through Integrating Different Production Techniques, International Design Journal, Volume 10, Issue 2,
21- Geoffery, C. (2002). Carpet Manufacture –New Zeland .
22- Ibrahim, Ghalia El-Shennawy and Mahmoud, Iman Ramad (2018). The role of textile hangings in achieving aesthetic and functional values in interior architecture. Journal of Architecture, Arts and Humanities, Arab Society for Islamic Arts and Civilization. 476 – 492.
23- Mohamed, G.l, Ghada, E., Rania, R., (2016).
Optical art and its role in designing pile wall hangings that used in the limited area of interior architecture.
Journal of Architecture, Arts and Humanistic Science. PP. 180-198, Volume 1, Issue 3, July.
24- Radwan, G.A. H. and Abdel, T., Heba Kh. and Ragab, A. M. (2020) Design and production of innovative textile pendants by combining different implementation techniques. International Design Magazine. Vol. 10, No. 2,.
26- Atef, Kh. Al-M. Al-D., Hussein, M. H., Hani, A. Q. (2014). The concept of symbolic art, its connection to symbols in ancient Egyptian art, and its impact on graphic artists.
Journal of Qualitative Education Research, Article 28,
Volume 2014, Issue 36, P. 831-875.
27-
Osama, S. M. A. FRCP(Glasg) (2019).Akhenaten and one of his girls, detail of an altarpiece of a shrine. The God Aten with his sun rays and his cartouches as well as Nefertiti's cartouches appear. New Kingdom, 18th Dynasty, c. 1345 BCE.. Neues Museum, Berlin, Germany. ÄM14145, 2019, 22 July.
28- Suzan, M. H. J., Nahla, M., Reem, M. El-M. (2021)Taking Advantage of Indian Art in the Design of Innovative Woven Wall Hangings for Optimum Functional Performance. International Design Journal, 11(1), 34, 105-114.
29- Mahda, F., & Shohreh, J. (2017). Examining the Symbolic Meaning of Colors
in Ancient Egyptian Painting Art and Their Origin in Environment, The Scientific Journal of NAZAR research center (Nrc) for Art, Architecture & Urbanism, 14 (52), 69-80.
30- Bassam Al-Shamaa( Archaeological researcher), (2021). Colors of the Pharaohs, Essay (Sky News Arabia.
31- Ghalia, S. I. S. & Iman, R. M.(2016). The possibility of achieving new aesthetic values in the design of textile pendants using the semi-mechanical carpet method. Scientific Journal of the Faculty of Specific Education, 6, (Part One).
)
View on SCiNiTO